Strategic Designer
About Me.
I work at the intersection of strategy and execution: where research, stakeholders, and concrete interventions come together. My focus is on circular value chains, sustainable transitions, and innovation inside complex organizations.
I'm currently doing my graduation research for the master Strategic Product Design (TU Delft) in M4H Rotterdam, the city's circular makers district, on area development and the circular economy. Last year I interned as Innovation Lead at the Port of Amsterdam, working on shore power, hydrogen, and public quays. Before that, I did my bachelor's in Industrial Design at TU Eindhoven and a minor at Stockholm School of Entrepreneurship.
I believe in pilots as stepping stones, not endpoints — and I love getting things to actually move.

My portfolio
Welcome to my portfolio. Here you can find a selection of my work and the projects I have completed.


I wanted to understand how strategic design can contribute to a domain dominated by policy, real estate, and law. Specifically: how can a designer add value in a context where the actors at the table all share the same ambition but operate from very different constraints, financial logics, and organizational mandates?
Currently in progress — full case study coming soon.


I worked across two teams: Explore & Go (internal innovation, validating new ideas and building innovation culture) and Products & Services (commercial processes and stakeholder relationships through an outside-in approach).
Five projects, one thread: from exploration to implementation
🔹 Shore Power (Walstroom).
Ships at the city quays can connect to shore power instead of running diesel engines, but responsibilities across port, grid operator, supplier, and ship were unclear. I mapped the service chain and identified bottlenecks in responsibility.
Result: concrete recommendations incorporated into the new service agreement.
🔹 Hydrogen.
whether a hydrogen test center at the Port of Amsterdam could accelerate the port's hydrogen ecosystem. To structure the question, I built an assumption map of eight critical themes (ownership, technical feasibility, financial model, risks, market need, showcase value, certification, and ecosystem function) and validated each with key players in the field, including TNO, Shell ETCA, Battolyser, Hynetwork, and Groenvermogen.
Result: a substantiated advisory report that informed the port's next steps and shifted the conversation toward broader sustainable fuels.
🔹 Public Quays (Openbare Kades).
The port's public quays are underused, despite a major investment in their renewal. The question shifted from how do we maintain them? to what else could they be for? I developed scenarios for new propositions and helped test them through pilots.
Result: two pilots set up and monitored on real quays.
🔹 Shore Leave (Walverlof).
Ship crews can spend up to nine months at sea, and even when they finally dock, many are unable to set foot on land. ISPS security regulations and operational barriers at terminals often keep them on board, a problem increasingly visible in the news as a question of basic crew welfare. The topic has reached the political agenda: parliamentary questions have been raised, and the Ministry of Infrastructure and Water Management (IenW) has actively engaged on the issue. I analyzed these barriers and the role the port can play in facilitating access.
Result: a report with concrete interventions and pilots.
RPA cases & AI
Alongside the strategic projects, I worked on bringing AI and automation into the port's daily operations. I designed and ran an internal AI workshop to help colleagues identify where the technology could add value in their own work, and built RPA solutions in Power Automate to automate repetitive internal processes.
Result: working automations in use across teams, and a more confident, hands-on relationship with AI inside the organization.


We developed a strategic transformation plan to help FREITAG hold its position as a leader in sustainable fashion. The plan rests on three connected shifts: leadership and change management, digital transformation, and ecosystem collaboration across the value chain.
🔹 Three horizons
▪️ Digital Change Leaders. Embedding leaders within FREITAG's existing circles to bridge traditional craftsmanship and digital tools, addressing the accountability gaps that come with self-managed structures.
▪️AI Material Sourcing. Using AI and blockchain to accelerate the search for scarce tarpaulin materials and broaden the material portfolio, freeing FREITAG from a supply chain bottleneck that today depends on individual "truck spotters."
▪️ Co-creation F-ederation. Expanding FREITAG's existing loyalty program into a co-creation platform where customers, designers, and repair partners collaborate, turning customers into active participants in the circular system.
▪️ What this project taught me
A circular brand can't stand still. Even leaders need to keep redesigning the system around them, especially when growth and sustainability have to move forward together. The interesting strategic question for FREITAG wasn't how to be more sustainable, but how to keep its circular model viable as it scales, and that turned out to be a question about people, partners, and technology as much as about products.
The core argument: a circular brand can't stand still. Even leaders need to keep redesigning the system around them, especially when growth and sustainability have to move forward together.


An exhibition about the hidden impact of the fast fashion industry. Visitors peek through small openings in everyday garments and uncover what's behind them: pollution, overproduction, exploitation. A final mirror turns the question back on the viewer.
Will you still look away?
The piece was exhibited at Dutch Design Week 2025 (Klokgebouw, Eindhoven) as part of the 4TU Design United Expo, under the theme Less Hope, More Action!
Team: Britt Klap, Olga Bogaerts, Sabarna Senathirajan, and Valérie Klemann (TU Delft).




The outcome was a set of adaptable directions for DJI to act on now, rather than a single fixed plan, because the only certainty across fifteen years is that the context will keep moving.


I developed a future vision for Adidas built around these tensions: a shared wardrobe concept where users rent clothing instead of buying it. The idea cuts overconsumption at the source, while giving Gen Z exactly what they want: access to variety without the weight of ownership. The vision repositions Adidas from a product brand to a service brand, where the value is no longer in what you sell, but in how long the same piece keeps moving through different hands.


To make the concept tangible, we built a full 3D model of the area in Blender and Unity, allowing us to walk through the redesigned street and test how the spatial flow, sightlines, and interactions actually feel from a visitor's perspective.


As Chair, I led a multidisciplinary team and held the line between strategic decisions and the daily operations that keep an association running. As Lustrum Commissioner, I worked on large-scale events and long-term planning, managing relationships with sponsors, faculty, and external partners along the way. The year sharpened the things I rely on now: leading a team without leaning on hierarchy, communicating clearly across very different audiences, and structuring projects that have a lot of moving parts.


The goal is simple: shift care from reactive to preventive by giving young people, and the adults around them, a starting point for talking about what's actually going on.


Captured in one line: "Energy you trust, experiences that excite."
The campaign targets urban audiences and emphasizes self-empowerment, reliability, and financial benefits in their energy choices.


I handled the full production myself, from concept and research to recording, editing, and publishing on SoundCloud. The challenge was to keep the content sharp and substantive while staying engaging for a listener audience that ranges from students to professionals. The format pushed me to think about strategy in a different medium: instead of slides or reports, I had to translate ideas into a spoken narrative that holds attention from start to finish.